もののけ姫

Probably the best movie from Miyazaki. A mixture of old Japanese traditions with the story about the conflict between the industrial human being and the preservation of the Nature.

Hayao Miyazaki's arts have always something to remember us that we are naturally harmonized with mother earth and existences. There is still a bond, if one is hurt another, it means the one suffer itself as well.

Original title: Mononoke Hime

The film is set in the 14th Century during Japan’s Muromachi Period.

Young Prince Ashitaka, the last royal of his line, slays a wild boar that is about to attack his village. The boar, demonised because it was consumed by rage and hatred, infects the young Prince, who will eventually become demonised too.

He leaves the village to find a cure in the form of Shishigami, a deer-like god. On his journey he realises that the latent rage and hatred within him, when it surfaces, gives him enormous power – proven when he slices off the arms of a Samurai warrior and decapitates another one.

On his journey, he sees a travelling group of people attacked by a wolf pack. He saves two of the men who, it turns out, are from Irontown, run by the Lady Ishobi. He brings the two men back to Irontown, which is peopled by women who do the foundry-work and chores, and men who provide the security and protection, although even that is not cut and dried as the women are capable of defending themselves with guns being manufactured especially for them by the lepers to whom the Lady Ishobi provides food and dignity. There is much humour when the women verbally chastise their menfolk. I found those scenes hilarious.

When Ashitaka brings the men back to Irontown he is welcomed by the Lady Ishobi. He also discovers that the wolf pack was led by the wolf god Moro, and the strange girl he saw help the wolves was San, the adopted daughter of Moro. San has the ability to talk to the nature spirits, and she is therefore known as Princess Mononoke (“Spirits of things”).

Ashitaka is concerned that Ishobi is destroying the forest. It turns out that the Lady Ishobi and Moro are in battle because of the damage being done to the forest.

To add to this, Ishobi has also recruited Samurai to help her in her fight, but the Samurai have two motives: one is to take the head of the Forest Spirit back to the Emperor, who believes it will give him immortality. The second is to take Irontown from the Lady Ishobi.

That is an abstract of the plot.

Miyazaki used computer-generated graphics in this for the first time, but most of the film was generated by hand. This I think is to its benefit. The drawing is breathtaking in places, and the depiction of such supernatural events as the Forest Spirit changing into the Nightwalker and the scene of the demon-possessed boar when it emerges from the forest for the first time are spectacular.

I think it’s too scary and bloody for children, but a friend assures me that this sort of film is par for the course for children in Japan.

The film is over two hours long, and it does pack a lot into that two hours. I found this film very interesting and watchable. I wanted to know what happened, and the plot was certainly not predictable. I believed in the world it depicted. I think in any film you have to allow it to draw you into its world (up to a point, some films are ludicrous and expect too much, this isn’t one of them).

Part of the reason for the film’s ability to keep me interested is because the characters cannot be labelled “goodies” and “baddies.” Yes, Moro and his pack are attacking helpless workers, but they are destroying the forest and he needs to protect his way of life. Yes, the Lady Ishobi is destroying the forest, but she’s making a living for herself and is helping others: she has removed the women from servitude in brothels, given them security, work, and a home; some have found husbands or companions. She has provided shelter, home and work for the lepers, normally outcasts. Neither side seems particularly vindictive; Ishobi’s attempts to rid herself of the wolf pack are for self preservation, and her coalition with the Samurai to destroy the Forest Spirit is her attempt to remove the constant threat of attack. One can argue that if she took a more conciliatory view, maybe some sort of truce could be reached, but time and again members of the wolf pack merely say “they are humans, they must be killed” – to the point that even Ashitaki, who has helped the animals – is threatened with death if he does not leave the forest. In fact, one could argue that it is the animals who show a “racist” attitude here – demanding the death of the humans because they are humans. None of the humans in the film demand the death of the animals simply because they are animals. Their deaths, and the destruction of their habitat, are an unfortunate side-effect of the humans’ industrialisation, not a deliberate act.

I hope that what you see from my analysis above is that the film is not goodies v. baddies. It’s nature v. industrialisation, and the compromise to that is not an easy one, and the film reflects that.

You’ll be happy to know the film does have an upbeat ending, but thankfully it’s not entirely predictable, in my opinion.

I thoroughly recommend the film.

When a village is tormented by a wild boar, it falls to the young "Ashitaka" to sort it out. Turns out though, that it isn't an ordinary beast - and in the fight the man is afflicted with a curse that requires his journey to the great tree god to put right. His travels lead him to the unscrupulous "Lady Eboshi" who has developed a smelting process that enables her to make guns - giving her not only advantage against the other local clans, but also helping her on her quest to kill the gods and the wolves lead by the Princess Mononoke whom they have raised from infancy. The story is great, the colourful and detailed animation moves the fable along well and excitingly with plenty of solid characterisation and action a-plenty. As ever with Miyazaki, there is a moral to the story - and the last twenty minutes exemplify that beautifully. The English language dubbed version has a good cast injecting personality and an extra degree of emotion to the characters too. I did find the forest sprites just a bit too twee, but otherwise this is a great marriage of creativity and legend - and I really enjoyed it.

This is my favorite movie from Miyazaki. The visuals are great. The characters are great. The voice acting (English version) is great. The animation is great. Music is great. The story is good. Everything about this movie is so cool and it's just really fun to watch.

75/100

A young man's search for a cure to a curse, received when he killed a boar demon god, leads him into the middle of a war between humans, beasts, gods and demons. This full length Japanese anime was far better than I expected it would be. The characters were very complex, the motives of all the parties involved made perfect sense, making the whole concept of doing the right thing a very fuzzy area, the animation was fantastic, and the story was varied and full. Quite nice. -- DrNostromo.com

「もののけ姫」のおもしろいポイントは、まず作品の世界観が非常に魅力的であることです。森や山、神秘的なもののけたちが描かれる中で、自然と人間の共存や葛藤がリアルに描かれています。特に、主人公のアシタカやもののけ姫サンの成長や葛藤が見どころの一つです。

また、作品には環境問題や人間の欲望と自然との調和など、深いテーマが含まれており、物語を通じて考えさせられる部分が多いです。人間と自然のつながりや、互いの尊重の大切さがテーマとして描かれています。

さらに、もののけたちや人間たちの心情描写が繊細に描かれており、登場人物たちの複雑な感情や思いがリアルに伝わってきます。特に、もののけ姫サンの強さや葛藤、アシタカの優しさや決断力など、キャラクターたちの魅力が作品を引き立てています。

「もののけ姫」は、単なるファンタジーアニメではなく、深いメッセージや人間の姿を描いた作品として多くの人々に愛されています。そのため、作品を通じてさまざまな考えや感情に触れることができ、何度見ても新しい発見がある魅力があります。

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