公開されたおすすめリスト
30代おっさんの青春アニメ一覧
きっと共感する人もいるはず!
2026年度公開予定のアニメ
2026年度公開予定の映画
年末年始にぴったりの映画
クリスマスにぴったりの映画
2026年度公開予定のドラマ
新・猿の惑星
作品情報
| カテゴリ | 映画 |
|---|---|
| ジャンル |
アクション
サイエンスフィクション
|
| 概要 | ミュータント人類と猿類との戦争は、地球の消滅で幕を閉じた。コーネリアスとジーラはその直前に宇宙船で脱出したが、たどり着いたのは1973年の地球であった。最初はサルを好意的に受け入れた米国社会だったが、地球の未来が「サルによる人間の支配」であることが判明し、動揺が広がる。人間達はコーネリアス達を疎むようになり、2匹は命を狙われ始める。 |
| キャスト(俳優・女優・声優) |
Cornelius(Roddy McDowall)
Dr. Zira(Kim Hunter)
Dr. Lewis Dixon(Bradford Dillman)
Dr. Stephanie 'Stevie' Branton(Natalie Trundy)
Dr. Otto Hasslein(Eric Braeden)
The President(William Windom)
Dr. Milo(Sal Mineo)
E-1(Albert Salmi)
E-2(Jason Evers)
Committee Chairman(John Randolph)
Aide(M・エメット・ウォルシュ)
Armando(Ricardo Montalban)
Official at Briefing (uncredited)(Arthur Tovey)
General Winthrop(Harry Lauter)
Lawyer (as Roy E. Glenn Sr.)(Roy Glenn)
Cardinal(Peter Forster)
Army Officer(Norman Burton)
Naval Officer(William Woodson)
Orderly(Tom Lowell)
Marine Captain(Gene Whittington)
Curator(Donald Elson)
TV Newscaster(Bill Bonds)
Referee(Army Archerd)
General Faulkner(James Bacon)
Marine Corporal (uncredited)(John Alderman)
General (uncredited)(Alan Baxter)
Secretary of State (uncredited)(Jack Berle)
German Newscaster (uncredited)(Karl Bruck)
Undetermined (uncredited)(Sam Chew Jr.)
Reporter (uncredited)(Robert Cole)
Talking Baby Chimp (uncredited) (voice)(Walker Edmiston)
Spectator (uncredited)(Sig Frohlich)
Helicopter Pilot (uncredited)(James W. Gavin)
Official at Briefing (uncredited)(George Golden)
Official at Briefing (uncredited)(James Gonzalez)
Bodyguard (uncredited)(Joe Gray)
Aide (uncredited)(Bob Harks)
Nova (archive footage) (uncredited)(Linda Harrison)
Reporter at Hotel (uncredited)(Elizabeth Harrower)
Bystander (uncredited)(Shep Houghton)
Waiter (uncredited)(Joseph La Cava)
Reporter (uncredited)(Robert Nichols)
Undetermined (uncredited)(Ron Pinkard)
Heloise (uncredited)(Janos Prohaska)
Reporter at Hotel (uncredited)(Tony Regan)
Gen. Brody (uncredited)(Stephen Roberts)
Reporter (uncredited)(Hank Robinson)
Control Room Officer (uncredited)(James B. Sikking)
Reporter (uncredited)(Jack Slate)
Hotel Receptionist (uncredited)(William Tregoe)
Official at Briefing (uncredited)(Paul Bradley)
British News Anchor (uncredited)(William Beckley)
|
| 公開日 | 1971-05-20 |
| 製作会社 |
APJAC Productions
20th Century Fox
|
| 視聴可能な動画を探す | JustWatchで動画を検索する |
AIに聞いてみた!作品へのポイント
『新・猿の惑星』に関連する画像(全15件)
この作品によく似ている映画
宇宙一ヤバすぎる世界で、追放された若きプレデターと半身アンドロイドの規格外バディが挑む究極のサバイバルSFアクション!
誇り高き戦闘一族から追放され、宇宙一危険な“最悪の地<バッドランド>”に辿り着いた若き戦士・デク。次々と敵に襲われる彼の前に現れたのは、上半身しかないアンドロイド・ティア。「狩り」に協力すると陽気に申し出た彼女には、ある目的があった・・・。果たして彼は、「究極の敵」を狩って真の「プレデター」になれるのか、それとも「獲物」になってしまうのか。
人知を超えた悪によってひそかに進められる地球壊滅の陰謀。それを食い止めるべく、大富豪で天才発明家アイアンマン、神々の国から地球ヘと追放された雷神ソー、感情の爆発によって容姿を激変させる科学者ハルクなどを集めた部隊アベンジャーズが結成される。しかし、各々が抱えているつらい過去や苦悩が浮き上がっては衝突し合うようになり、人類史上最大の危機に立ち向かうチームとしての機能が消失しかけていた。<アイアンマン、ソー、ハルク、キャプテン・アメリカなど、世界的に有名なヒット作の主人公が一堂に顔を合わせるアクション大作。特殊な戦闘力を誇る者たちによって編成されたチーム「アベンジャーズ」が、地球滅亡の危機を回避する戦いに身を投じる。>
この作品を観た人におすすめする作品
コーネリアスの語ったとおり、疫病により犬や猫は死滅し、猿が第一位のペットとなった。1991年、日々深まるサルたちの奴隷としての扱い、コーネリアスの息子シーザーの養父も同然だった人間アルマンドの死をきっかけに、シーザーは反乱を決意。高度の知能とテレパシーを武器に猿たちのリーダーとなり、ついに反乱を起こす。
シーザーが主導した人間への反乱は、最終的に核戦争へと発展し、地球の支配者は人間から猿に移り変わった。2003年、シーザーは原野に新たな集落を築き、人間を召使としてだが共存して暮らしていた。補佐役である人間のマクドナルドは人間と猿の対等な関係を求めるが、シーザーは過去の経緯から人間の解放に慎重な態度をとっていた。ある日、シーザーは「死んだ両親の記録が壊滅した都市に保管されている」とマクドナルドから聞き、マクドナルドとヴァージルを連れて核戦争で壊滅した都市に向かう。
禁断地帯を旅するテイラーとノバは、突如大きな地割れと炎に襲われテイラーは行方不明となってしまう。テイラーを追ってきたブレントの元にノバが現れ、ノバはテイラーの言付けに従い、ジーラに会うため町に案内する。ブレントはジーラ達の協力で禁断地帯へと向かうが、兵士に発見され地下に逃げ込んだ際、荒廃した地下鉄駅を見付け、未来の地球であることを知る。地下を進みニューヨークの廃墟にたどり着くと人類文明を破壊したコバルト爆弾を信仰し超能力を持つミュータント化した人類に出会う。
Roddy McDowall takes you, film by film, from production meetings to make-up sessions, then right onto the movie set to see the actual filming of the science fiction masterpiece. The most comprehensive history of Planet of the Apes ever created, this fascinating 127-minute documentary explores one of the most imaginative and influential series in movie history.
第2次大戦下のイスラエル。アメリカ空軍の大尉デビッドは、友人ピーターから婚約者の女性を紹介された宴席で、彼女の友人という美しい娘サラに出会い、心を奪われる。だが、厳格なユダヤ人家庭に育ったサラと、アメリカ人のデビッドでは国籍も育った環境も違い過ぎると、サラの両親は2人の交際を許そうとしない。それでも忍ぶ恋心を抑えきれない2人だが、そんな矢先デビッドがエジプトに派遣されることになる。
The Movie Database(TMDB)で登録されたこの作品に対するレビュー・評価
**A picture of the artist painting a picture of the artist painting a picture of the artist painting a picture of the artist painting a landscape.**
Indeed.
Talk, talk and some more talk. Then they all decide to talk some more - taking a break for a little more talking - before finally deciding on talking just a little while longer. These actors must have had sore tongues after the film was completed. Some of them hospitalised with repetitive strain on the jawbone.
A very talky film which could indeed lose the interest of younger viewers. Younger viewers don't want to see old men blabbering for 90 minutes - they want gorillas with machine guns.
Lots of scenes of people with tobacco stained grey hair talking around 1970's tables and not much action here.
Not enough psycho gorilla action. The three chimps should have brought at least one maniac gorilla with them for security reasons. If there weren't enough seats in the ship then I am certain he wouldn't mind standing.
Perhaps they feared that once they arrived and they opened the ships hatch on the beach - everything from turtles, whelks and Brian Wilson's surf board would have been riddled with bullets.
- Potential Kermode
A very good sequel.
<em>'Escape from the Planet of the Apes'</em> is a clear improvement on (the good) <em>'Beneath the Planet of the Apes'</em> and isn't that far adrift from the 1968 original. The plot is out there but they make it believable, while the ending is quite something - unexpectedly so!
Neat to see Roddy McDowall return to his role from <em>'Planet of the Apes'</em>, while co-star Kim Hunter continues once again. I like those two characters so enjoyed seeing them become 'the stars' of this third release of the franchise.
Onwards to <em>'Conquest of the Planet of the Apes'</em>.
A very good sequel.
<em>'Escape from the Planet of the Apes'</em> is a clear improvement on (the good) <em>'Beneath the Planet of the Apes'</em> and isn't that far adrift from the 1968 original. The plot is out there but they make it believable, while the ending is quite something - unexpectedly so!
Neat to see Roddy McDowall return to his role from <em>'Planet of the Apes'</em>, while co-star Kim Hunter continues once again. I like those two characters so enjoyed seeing them become 'the stars' of this third release of the franchise.
Onwards to <em>'Conquest of the Planet of the Apes'</em>.
Now quite how, we don't know, but suffice to say that "Cornelius" (Roddy McDowall) and "Zira" (Kim Hunter) manage to find themselves a spaceship and travel back in time to an Earth when humans - here, more specifically, a bunch of rather numb-sculled Americans - rule their continent. On stepping out of their craft, they must sigh the sigh of all aliens whose first glimpse of man is a man with loads of braid and no brains. They are taken to a zoo, fed oranges (?) and then subjected to a presidential inquiry that brings them some fame and celebrity, but also keeps them firmly on the radar of the malevolent "Dr. Hasslein" (Eric Braeden) who becomes doubly suspicious of their portentous storytelling (remember, apes cannot talk in 1971!) when it emerges that "Zira" is expecting an apelet! Things become distinctly perilous for our visitors, but luckily they have allies in fellow scientists "Dixon" (Bradford Dillman) and "Branton" (Natalie Trundy) so maybe they can escape their guilded cage? This is much better than last year's effort. The story is stronger, the morals are there but not over-used and the two lead actors gel well. The visual effects are effective and though I did not particularly like the ending, it offers us some food for thought.
**_The reverse of the first film_**
After Taylor’s space vessel lands in the waters near the coast of SoCal, military officials are astonished to find it occupied by three apes in spacesuits (including Roddy McDowall and Kim Hunter). While there are those who embrace the talking chimpanzees (Bradford Dillman, Natalie Trundy and Ricardo Montalban), there are also those who view them as a threat to humankind (Eric Braeden).
“Escape from the Planet of the Apes” (1971) keeps things interesting by switching the situation of the first two films in this original series. Although this takes away from the inherent mysteriousness of those previous flicks, it is entertaining to view the modern world through the eyes of Vira and Cornelius, not to mention be concerned about their persecution.
Some people overstate the comedic content, which mainly revolves around Vira, yet she has the same witty personality with a sense of humor of the prior flicks. In other words, it wasn’t overdone and was congruent to the series. The only difference is that, now, she’s the focus of the story, along with Cornelius.
Natalie Trundy was 30 during shooting and lovely. She appeared in all four sequels, albeit as three different characters. This can be attributed to her marriage to producer Arthur P. Jacobs, the person behind bringing the five “Apes” films to the public, including buying the rights to Pierre Boulle's novel Monkey Planet in 1963. Their marriage lasted through the entire run of the five movies, 1968-1973, and only ended because Arthur was “a heart attack waiting to happen” via his drinking, smoking and long hours. He died prematurely at the age of 51.
There are some boring parts, but it effectively continues the story. Each of the four sequels had a significantly lower budget than the previous film due to the struggles of 20th Century Fox at the time. The last one, “Battle for the Planet of the Apes,” had the least budget and therefore is the least impressive on a technical level, but I found the story and characters more interesting than this one despite the comic booky vibe. I rank the films as follows: “Planet,” “Beneath,” “Battle,” “Escape” and “Conquest.”
It runs 1 hours, 38 minutes, and was shot in Los Angeles & points nearby.
GRADE: B/B-
この作品に対するレビュー・評価
新・猿の惑星のおもしろいポイントは、まず異なる時代や文化、生物同士の対立が絡み合った緊張感あふれるストーリーです。地球外の未来から1973年の地球にやってきた猿のコーネリアスとジーラが、人間社会に受け入れられるかどうかという点での緊張感が物語を引き締めています。人間と猿の間に生まれる摩擦や葛藤、そしてそれを取り巻く状況の変化が、視聴者を引き込む要素となっています。
さらに、作品は社会や人間性に対する深いテーマを探求しており、人間と猿の違いや共通点、支配と被支配の関係などについて考えさせられる要素が満載です。登場人物たちの葛藤や成長、選択によって描かれる人間の本質や善悪、正義とは何かといった哲学的な問いかけも、作品の魅力の一つと言えるでしょう。
さらに、作品の世界観や特殊効果、猿の造形なども見どころの一つです。当時の技術を駆使して作り込まれた猿の姿や環境設定は、視覚的にも楽しめる要素となっています。緊迫感あふれるストーリーと共に、見どころ満載の映像美も作品の魅力の一つとして挙げられます。
新・猿の惑星は単なるSF作品に留まらず、深いテーマや見どころ満載のストーリー、魅力的なキャラクター、映像美など、多くの要素が組み合わさって作られた作品です。そのため、幅広い視聴者に楽しんでもらえること間違いありません。