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ラスト・クリスマス
作品情報
| カテゴリ | 映画 |
|---|---|
| ジャンル |
コメディ
ロマンス
|
| 概要 | 12月のロンドン。かつて旧ユーゴスラビアから英国に移民した若い女性ケイトは歌手志望。しかしオーディションに落ち続ける毎日で、まるで自由を持て余すかのように出会ったばかりの男性たちと一晩だけ夜をともにする。そんなケイトは街で偶然声を掛けてきた謎めいた男性トムに興味を抱くように。彼から影響を受け、ケイトは自身の生活を見つめ直し、仕事やホームレスシェルターでのボランティア活動に精を出すようになるが……。 |
| キャスト(俳優・女優・声優) |
Kate Andrich(エミリア・クラーク)
Tom Webster(Henry Golding)
Petra Andrich(エマ・トンプソン)
Santa(ミシェル・ヨー)
Joyce(パティ・ルポーン)
Theatre Director(ロブ・ディレイニー)
Marta Andrich(Lydia Leonard)
Ice Show Director(Sue Perkins)
Homeless Person (uncredited)(Jacqueline Ramnarine)
Alba(Jade Anouka)
Police Woman Churchill(Laura Evelyn)
Police Woman Crowley(イングリッド・オリヴァー)
Moroccan Vendor(Liran Nathan)
Andy(Amit Shah)
Theatre Producer(Peter Serafinowicz)
Ivan Andrich(Boris Isaković)
Klaus the German Clown(John-Luke Roberts)
The Dane (aka ‘Boy’)(Peter Mygind)
Casting Director(Sara Powell)
Jenna(リトゥ・アルヤ)
Rufus(Ansu Kabia)
Nathan(Calvin Demba)
Man in Audience at Homeless Shelter Benefit (uncredited)(アンドリュー・リッジリー)
Ed(Maxim Baldry)
Sarah(Margaret Clunie)
Guy in Pub(David Mumeni)
Young Kate(Madison Ingoldsby)
Dr. Addis(Rebecca Root)
Oscar(Bilal Zafar)
Young Marta(Lucy Miller)
Danny(Ben Owen-Jones)
Arthur(David Hargreaves)
Tom(Joe Blakemore)
Traffic Cone Man(Leon Delroy Williams)
Dora(Anna Calder-Marshall)
Croatian Woman(Jassie Mortimer)
Croatian Man(Michael Matovski)
Moroccan Vendor's Wife(Laila Alj)
Angry Man on Bus(Jake Lampert)
Nurse Jane (uncredited)(Nichola Jean Mazur)
Fabien(Fabien Frankel)
Geoff Mafia Boss (uncredited)(Rene Costa)
|
| 公開日 | 2019-11-07 |
| 製作会社 |
Universal Pictures
Feigco Entertainment
|
| 視聴可能な動画を探す | JustWatchで動画を検索する |
AIに聞いてみた!作品へのポイント
「ラスト・クリスマス」のおもしろいポイントは、ユーモアと感動が絶妙に組み合わさったストーリーです。主人公ケイトの奮闘や成長が描かれながら、コミカルなシーンや心温まるシーンが織り交ぜられています。また、クリスマスの雰囲気がたっぷりと詰まっており、観ているだけでホリデーシーズンの楽しい気分に浸ることができます。
おすすめするポイントは、エミリア・クラークとヘンリー・ゴールディングの演技が素晴らしいことです。特に、ケイト役のエミリア・クラークは、コミカルな一面から感情豊かな演技まで幅広くこなしており、観客を引き込んでくれます。また、劇中に登場するロンドンの街並みやクリスマスの飾りつけも美しく、視覚的にも楽しめる作品です。
この作品は、ユーモアと感動を楽しみたい人やクリスマスムードに包まれたストーリーが好きな人におすすめです。また、エミリア・クラークやヘンリー・ゴールディングのファンも必見です。
一方、おすすめしないポイントは、予測可能な展開や一部のキャラクターの描写が薄いと感じる人もいるかもしれません。また、一部の観客にはストーリーの進行がややゆっくりと感じられるかもしれません。
『ラスト・クリスマス』に関連する画像(全29件)
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自由奔放なポピーと計画好きなアレックスは、長年の夏の旅仲間。正反対の2人はいつしか、お互いが運命の相手かもしれないと思うようになり...。
亡くなった後、誰もが「永遠」をどう過ごすかを決める分岐地に行き着く。それはジョーンにとって、長年連れ添った夫ラリーか、新婚の頃に亡くなった最初の夫ルークか、どちらかを選ばなければならないことを意味していた。
1940年代、アラバマ州で生まれたフォレスト・ガンプは、知能指数こそ人に劣るが、母親にたっぷりの愛情を注がれて育ち、優しいハートと走る能力は誰にも負けない男性に成長していく。そんなフォレストは、ただひとり彼に理解を示してくれた幼なじみの女性ジェニーの愛を信じる一方、ベトナムの戦場に出征するなど、1950年代に始まるアメリカの歴史の大きな動きの中で、図らずも波瀾万丈の半生を送ることになる。
TVの人気天気予報キャスター、フィルは地方で開かれる伝統的祭りを女性プロデューサーのリタと取材。その町では毎年2月2日、冬眠から目覚めたウッドチャックが春の到来を占うという祭りが開かれていた。その帰路、吹雪に襲われた一行は町に引き返すが翌朝、フィルはなぜか同じ祭りと出くわす。その日から彼は2月2日を繰り返し過ごす。毎日これから何が起きるかを知っているフィルは、それを自分のために悪用しようとする。
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The Movie Database(TMDB)で登録されたこの作品に対するレビュー・評価
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I'm not the biggest fan of straight-up romantic comedies (rom-coms). I don't think I absolutely love a film from this genre, and if I do, it probably doesn't solely belong to the rom-com's list (they could also be musicals, dramas, etc). Most of the times, I appreciate them enough to feel fulfilled. Very rarely, I feel totally disappointed or with a hate feeling towards one. Paul Feig delivered a couple of great comedies during his career (Bridesmaids, Spy), and the underrated/overlooked A Simple Favor, which I enjoyed very much. With Emma Thompson (Adelia) as both supporting actress and screenwriter, Emilia Clarke and Henry Golding as protagonists, Last Christmas grew on me in the week of its premiere, making me genuinely excited for its session.
This Christmas' movie sort of falls in the middle. I don't exactly "like" it that much, but I still left the theater happy and reasonably entertained. It actually possesses a dramatic tone deep within, but it never fully explores it, maintaining the lighthearted and festive vibe throughout most of its runtime. Clarke and Golding share amazing chemistry, and their scenes are very romantic, sweet, and emotional. However, it's more of the same. Last Christmas doesn't bring anything new since it follows the same cliches every other rom-com does.
Its only bold and different take on the story is a plot twist that raises too many logical questions. Instead of carrying an emotionally powerful impact, it merely delivers an initial shock that goes away once people start to really think about it. Nevertheless, I praise this storytelling choice. It's never easy to pull off a twist, but the truth is that if Emma Thompson and Bryony Kimmings didn't take this missed shot, I wouldn't have spent the whole trip back home thinking about the film. I would have probably forgotten it as soon as I got into the car. So, congrats on trying something different, even if it didn't quite work for me.
Thompson ultimately shines as Kate's mom, though. No missteps here. She's hilarious, and she has some of the funniest lines of the whole thing. Michelle Yeoh (Santa) also has a couple of fun moments, but her subplot feels a bit strained. Emilia Clarke incorporates the clumsiness and awkwardness of her character seamlessly. If you're familiar with Clarke's interviews and public persona, then you know that Kate is basically the over-the-top reflection of Clarke. Despite her lack of luck, she's still charming and a good person that went through a traumatic event that changed her life (duh). Golding is glamorous and perfect as expected, especially since his character needed precisely these attributes.
Their relationship grows in a not-so-realistic way, and while this might be justified by the last act's twist, other plot points are not. My main issue with the movie is really those last 20 minutes. In addition to the twist, every single subplot is closed like nothing happened. From a particular family situation regarding sexual orientation to Yeoh's entire side story, all are either solved off-screen or way too easily. It's a rollercoaster of good and bad writing decisions. It has a couple of exciting downwards slopes and tight turns, but most of it is a slow ride with nothing truly thrilling or astonishing.
Last Christmas tries to be "the next big thing" concerning Christmas classics, but it falls short of its goal. Boasting a fantastic cast, with two charming, compelling leads in Emilia Clarke and Henry Golding, Paul Feig delivers a lighthearted, festive film, but stuffed with cliches and a twist that doesn't quite work. Emma Thompson shines as a supporting character but has some missteps in co-writing the story with Bryony Kimmings, showing significant struggles in tying up the loose threads left by the side stories. Despite its storytelling issues, it's a flick I recommend to anyone who loves seasonal movies with a beautiful message, some fun moments, and a score packed with our favorite George Michael's songs.
Rating: C+
Some nice moments and I did like the cast as Emilia Clarke and Henry Golding had some nice chemistry. The twist felt forced but I guess I should expect it from a sappy Christmas movie. IDK, I enjoyed parts of this mostly for the core cast though doubt I'd have much desire to watch again (also feels odd watching a Christmas movie like this in February). **3.25/5**
I will freely admit to being a fairly easy grader when it comes to sci-if movies and romantic comedies. If the dialogue is realistic and sharp and the plot doesn’t insult my intelligence, I am in.
I enjoyed Last Christmas on that basis and because of what I saw as a good group of actors. The script was co-written by Emma Thompson and her spouse, Greg Wise (Willoughby in Sense and Sensibility, also written by Thompson. Hmm.) I found Kate’s character development from being a rather selfish slacker to a decent person fairly believable as it was tackled gradually and partly based on events happening all around her, not just on her developing feelings for bike-riding Tom.
The Yugoslav family history and cultural influences felt odd and somehow not related to the plot until the midpoint or so of the movie, where it gradually began to feel like a relevant side plot to the story. I must say that I saw the climactic plot twist revelation coming a mile away, but I do write novels in my spare time, so I tend to wonder about where a story is going rather than merely enjoying having it wash over me like I should.
This movie may not become annual holiday viewing for me, but I will definitely watch it again next Christmas and give it at least a shot of becoming a seasonal viewing ritual.
This is quite a joyous little Christmas film with an interesting twist at the end and a gentle reminder for us to consider those less fortunate at this time of year. Emilia Clarke carries off her role as a slightly self-destructive elf quite charismatically - though the script is a touch wordy at times. Emma Thompson and Michelle Yeoh steal their scenes and the Wham/George Michael soundtrack adds a soupçon of nostalgia to the proceedings. The hero is, however, a bit of a drip. Easy on the eye, but he is still a bit of a wet blanket. That said, they all look like they had fun making this, and that does come across. At any other time of year, I probably wouldn't recommend this at a cinema, but it does put a smile on your face so go on, give it a go!
この作品に対するレビュー・評価
「ラスト・クリスマス」のおもしろいポイントの1つは、主人公ケイトがとてもぼんやりしていることです。彼女は仕事にも恋愛にもあまり真剣に取り組まず、周囲からはちょっとダメな女性として描かれます。そのため、彼女の成長や変化が物語の中でとても楽しい展開となっています。
また、ケイトの友人であるサンタクロースのコスプレをしている男性や、謎めいた男性トムなど、個性的なキャラクターたちが物語に登場します。彼らがケイトの人生に影響を与えたり、笑いを提供したりすることで、観客を楽しませてくれます。
さらに、映画全体にジョージ・マイケルの楽曲が多く使われており、彼の名曲「ラスト・クリスマス」が物語のキーポイントとして重要な役割を果たしています。音楽とストーリーが絶妙に組み合わさって、感動的なシーンが生まれることもこの作品の魅力の一つです。
最後に、意外な展開や感動の結末もこの作品の見どころの一つです。予想外の展開やキャラクターたちの成長によって、観客は思わず感動や笑いを共有することができるでしょう。全体を通して、ポジティブなメッセージや温かさが満ち溢れた作品となっています。